I got to shoot a fully restored 1966 Shelby Mustang. Ok, it was a job, but it was a treat! This beautiful car had original tires, an original battery (it was just the case of course), tags from the dealership still on it. Let me know what you think.
One of my favorite things about commercial photography is the peek I get into other worlds. In this case it’s the world of fasteners. Fasteners not only hold two things together, a complicated enough job by itself, but simplify, speed, and eliminate errors in production. Mostly I care about tonal values and textures, but as every photograph speaks, it’s important that it tells the right story. Let me know what you think!
Not long ago I had the opportunity to photograph this customized Dodge Charger Hellcat. It’s a beautiful car, though I’d have preferred red to black. Black is nice, but red is just hotter! You can see it’s 700 plus horsepower engine on the studio blog. I am always interested in your thoughts.
Illustrate as in explain, explicate, elucidate, clarify or demonstrate. There are many tricks or devices that help to illustrate motion in a still photograph. This time, the Creative Director thought that a triptych would be best at telling the story. I agree. I’d love to hear your comments or thoughts.
Building any product would be pretty tough without fasteners. And while these don’t look like any fasteners I’ve ever seen, they are. We spent an entire day photographing all kinds of fasteners. It was a productive shoot, and I’m looking forward to another soon Please let me know what you think.
My best friend, Richard, created this gold necklace with diamonds. His hand is holding it. This is one of a series of images we’ve done with his hands. The jewelry pops off the black background, and his hand contrasts nicely with the jewelry. The photograph tells the story that this necklace was crafted by an artist. I like working with Richard, he has a finely tuned aesthetic and we collaborate well together.