Tabletop photography has been around since cameras were invented. The tools and techniques have changed over the years, but the vision has remained constant. It is possible to for anyone to put a product into a light tent and probably get an acceptable image. The value that a professional brings to the table (pun intended) is a better image every time that communicates the vision of the maker. A thousand words…
There is nothing like a body kit to jazz up a car. I had the opportunity to shoot this Outlaw Mustang in the studio. It’s really beautiful! The wheels, suspension, engine and lots more are enhanced! Being black makes it more challenging to photograph, but you cannot deny it’s elegance. Other images from this shoot are on the Blue Sky blog. Let me know what you think!
There is a misguided belief that photography for web should be less expensive. This might be the case if photographers charged by the pixel. The value of an image is not determined by it’s resolution. The value of a photograph is determined by it’s ability to tell a story, communicate an idea, and grab your attention. As always I am interested in your thoughts and comments.
Most people don’t like to think about the things that surgeons do while they’re working. We’re happy enough to have their help when it’s needed. One of the things I love about commercial photography is that it give’s me a peek behind the curtain, into industries and professions that ordinarily are invisible. It’s necessary to learn at least a little about things you’re photographing to tell the story. I am interested in your thoughts and comments.
I recently met Barry at a parking lot where a lot of, well, car nuts (enthusiasts, whatever, this is Detroit!) hang out with their hot, customized, modified, cars. Barry’s 1966 Mustang has 500 plus horsepower under the hood, a strengthened frame so it doesn’t twist, because that’s a lot of power. It has a new hood scoop, tires, wheels, awesome! He brought it to the studio so I could photograph it for a day. This is the first of a few shots that I did. Afterword, I showed it to my friend Jim Tocco from Designers & Partners. He added some art direction and text. You can see the original here. As always, I’m interested in what Emmeline or anyone else thinks.