There is a misguided belief that photography for web should be less expensive. This might be the case if photographers charged by the pixel. The value of an image is not determined by it’s resolution. The value of a photograph is determined by it’s ability to tell a story, communicate an idea, and grab your attention. As always I am interested in your thoughts and comments.
Most people don’t like to think about the things that surgeons do while they’re working. We’re happy enough to have their help when it’s needed. One of the things I love about commercial photography is that it give’s me a peek behind the curtain, into industries and professions that ordinarily are invisible. It’s necessary to learn at least a little about things you’re photographing to tell the story. I am interested in your thoughts and comments.
I recently met Barry at a parking lot where a lot of, well, car nuts (enthusiasts, whatever, this is Detroit!) hang out with their hot, customized, modified, cars. Barry’s 1966 Mustang has 500 plus horsepower under the hood, a strengthened frame so it doesn’t twist, because that’s a lot of power. It has a new hood scoop, tires, wheels, awesome! He brought it to the studio so I could photograph it for a day. This is the first of a few shots that I did. Afterword, I showed it to my friend Jim Tocco from Designers & Partners. He added some art direction and text. You can see the original here. As always, I’m interested in what Emmeline or anyone else thinks.
We have been forging metal for thousands of years. Modern industrial processes are used to forge a wide array of automotive parts. As it involves shiny metal, I enjoy photographing it. In this case, it’s a die and the finished forged part. I stood them up on a table top in my studio using blocks and shims. Afterwords, I put them on a brown background in Photoshop. I’m always interested in your thoughts and comments.
This is a tourniquet used when doing surgery on hands, arms, legs and feet. We weren’t doing surgery in the studio; it’s not nearly clean enough. The red and blue together with the low-key feel help make this an interesting photograph. The doctor was my assistant. He’s very good, but I’d get nervous if he were working on me in a hospital. I’m interested in hearing your thoughts.
It’s a classically autumn vegetable. Cultivated for centuries, they have been used for food, kitchen tools, toys, musical instruments and decoration. They have fascinating shapes and colors that make interesting subject matter for photography. I’m sticking with the simple approach again, a single light source and a white background. I feel that it allows the nature of the gourd to be revealed. As always, comments are welcome.
It works for vegetables, why not industrial parts? A simple graphic shape on a white background lets the object express itself. Lots of time spent prepping, photographing and retouching the part reveals the beauty inherent in the object that serves some other useful purpose. The beauty that surrounds us unnoticed is uncovered. I love the quote attributed to Albert Einstein:
“There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.”
Root Vegetables have that gnarled, misshapen, twisted look that I find intriguing. I added glamor to these beets with water, giving them a little shine. It contrasts with the messy root hair and debris on the stems. Photographically, a single light and a simple white background let the beets be the star.
I had the opportunity to work with an excellent art director on a project for a local medical equipment manufacturer. This is one of several photographs we made that day in my studio. Collaboration was theme of the day, as we worked together to making photographs that would enhance the design of the brochure. As always, please let me know what you think.