Shooting glass products can be tricky. It’s not just transparent – it’s also shiny. It’s essential to see the background behind the glass and have things (lights) reflecting in the glass to reveal it’s shininess. The edge of the glass needs to be a different value than the background so you can see the shape. I think I solved those problems for my client that manufactures these industrial LED lights. What do you think?
I like shooting portraits on location. Getting people in their own environment. In some ways, it’s easier to see someone’s soul when they are on their home turf. This day I was photographing some exceptional women who were being recognized for there work. I enjoy the excitement of pulling together the location/background, the lighting, and posing until everything works. Or at least I think it does. What do you think?