Shooting glass products can be tricky. It’s not just transparent – it’s also shiny. It’s essential to see the background behind the glass and have things (lights) reflecting in the glass to reveal it’s shininess. The edge of the glass needs to be a different value than the background so you can see the shape. I think I solved those problems for my client that manufactures these industrial LED lights. What do you think?
I like shooting portraits on location. Getting people in their own environment. In some ways, it’s easier to see someone’s soul when they are on their home turf. This day I was photographing some exceptional women who were being recognized for there work. I enjoy the excitement of pulling together the location/background, the lighting, and posing until everything works. Or at least I think it does. What do you think?
Shooting on location is often full of surprises. You’re never sure what you’ll find when you get there, even if there has been a lot of pre-production. Often there is not. I enjoy the challenge of pulling a photograph together on the spot. Fortunately, this client had prepared well and knew what they needed. This makes it easier for me to make better photographs.
I am in awe of the amount of coordination required for a factory to function smoothly. It was like watching a dance. I am lucky to be able to illustrate it with photography.
I did this portrait several years ago, but I think it illustrates the value of design. The C suite employees were represented on the website with these photos. My partner Dave did a few, and I think there were some done in Germany too. Everyone was wearing white shirts on a white gradient background, looking pretty serious. The style integrated with the website well. The total effect was striking. Let me know what you think!
You know that this oil can hasn’t been used in a while. Years? Decades? Hard to say, but that’s a fine layer of dust. The overall patina is pretty nice too. I can imagine some old creaky geezer oiling a noisy machine 60 years ago. A simple white background lets it speak for itself. Let me know what you think.
This photograph is from a shoot Richard and I did a while ago. Not all pictures need to be dramatic, some only need to display the jewelry and describe it visually. One can think of this as an illustration, I suppose—but it still has to be attractive. It’s convenient for me that Richard makes beautiful jewelry. As always, I’m interested in what you think.
Lead-acid batteries have been the standard in cars since the beginning. They are rectangular prisms too. This is a lithium-ion battery, so it’s smaller and lighter. But still a box! The orange background helps it out. What do you think?
We are all part of a larger whole. The scope of the larger whole is sometimes difficult to fathom. In this case, these are pulleys, not cogs, and they have a bit of silicone or rubber to absorb shock and vibration. Smoothing out the bumps seems like a good idea in many contexts.
I like the way the translucent silicone looks. It’s always fascinating how industrial parts are beautiful objects with the right perspective and lighting.
Your image is for you to decide. You can be all buttoned up, literally and figuratively, or a little looser and more approachable. Many companies choose for you and have dressing requirements. We’ve done photography for clients who had all their executives wear white shirts with no tie, others a suit and tie, and still others like the photo above. Let me know what you think.
In the course of my work I often photograph lawyers. For attorneys, putting your name, and face, out there is a crucial step in acquiring new clients. Websites, PR releases, business cards, and social media all benefit from a good portrait. Headshots like this one can be used to fill various needs. If it’s cropped tight, it will work for a LinkedIn profile. Cropped vertically, it would work for a PR release. I am always interested in your thoughts.